Eva Fomitski
Eva Fomitski - artist and curator from Ukraine, Kharkiv. Member of the collective of conceptual photographers MYPH. Participated in numerous projects and exhibitions in Europe and the US. Currently based in Graz, Austria. With a bachelorʼs degree in Art History, Eva brings both a theoretical and practical understanding to her work.
My artistic practice focuses on exploring social and political discourses, including established behavioral models and unresolved past experiences that continue to influence our present reality. Currently, my main interest lies in exploring the complexities of collective memory, the mindset shaped by postcolonial experiences, and the innate psychological dimensions of society. I work across mediums like photography, installation, and video art, aiming to combine objective documentation with subjective interpretation.
Фото-проекти Eva
BROKEN IMAGES (2022)
Childhood is closely intertwined with the feeling of losing the past. The period of life when I felt complete freedom and safety has passed, and the person I was as a child no longer exists..
Drawing upon the concept of memory reconsolidation, which involves multiple rewrites of memories that are triggered upon revisiting a previously formed memory trace, a thought arises: Do our authentic memories of past experiences persist, or do we merely retain rewritten imaginary memories supported by visual materials? In 2021, for my birthday, my dad digitized old videocassettes from my childhood. After the war, these videos took on completely different meanings for me. The pre-war life is becoming hazier, and the present and future are becoming more unpredictable. The deformation of objects on the old videocassettes, overlays of strange sounds, children's cries, and distortion of colors are something that shows and visualizes the ambivalence of our new reality, and the sense of fragility of personal experiences and memories.
Waiting for_ Theater I_m Banhof
Displacement (2022)
Серія фотографій показує формалістичні ескізи танцюючого людського тіла, що зображують символічну трансформацію образів людини в "монстрів-антропоморфів".
Концепція базується на ідеї того, що радісні та безтурботні моменти можуть бути джерелом як комфорту, так і відчуття провини для тих, хто став переміщеною особою та зараз живе в безпечному місці поза межами своєї країни.
Через ці ескізи проєкт має на меті зафіксувати складнощі синдрому вцілілого, який, де б ти не був диктує емоційний компонент провини, що стає твоїм вірним супутником, що супроводжує тебе у період твого життя під час війни вдома.